Rossano Brazzi Article Library: Films: 1950-1954
| Catalog Number | Subject | Title of Article | Source, Author and Date | Description |
|---|---|---|---|---|
| 0300.34 | Romanzo d’amore | Romanzo d’amore | Biennale di Venezia Banca Dati | Production credits, 1 page |
| 0300.35 | Bullet for Stefano (1950) | Bullet for Stefano | All-Movie Guide | Production credits, 1 page |
| 0300.36 | Gli inesorabili (1950) | Gli inesorabili | Biennale di Venezia Banca Dati | Production credits, 1 page |
| Plus fort que la haine (Gli inesorabili) | Film complet | Storyline and photos, 5 pages, French. See also 1400.50. | ||
| 0300.37 | La corona nera | La corona negra | Marzo 1997 (March 1997) | Programming information: Spanish, no translation, 2 pages. |
| 0300.38 | La leggenda di Genoveffa (1952) | La leggenda di Genoveffa | Biennale di Venezia Banca Dati | Production credits, 1 page |
| 0300.39 | La vendetta di aquila nera/The Return of the Black Eagle (1951) | La vendetta di aquila nera | All-Movie Guide | Production credits, 1 page |
| La vendetta di aquila nera | Biennale di Venezia Banca Dati | Production credits, 1 page | ||
| 0300.40 | “Incantesimo tragico”/Tragic Spell | “Love Transforms a Plain Jane” | LIFE Magazine, 7/25/55 | Photos from “Tragic Spell” and other films. Cross-ref: 0300.56,0300.335 and 0300.54. |
| Incantesimo tragico | Biennale di Venezia Banca Dati | Production credits, 1 page | ||
| 0300.41 | L’ingiusta condanna/Quelli che non muoiono/Guilt is Not Mine (1952) | L’ingiusta condanna | Biennale di Venezia Banca Dati | Production credits, 1 page |
| Guilt is Not Mine | Internet Movie Database | Two pages, cast & production credits, brief synopsis. | ||
| 0300.43 | La donna che invento l’amore/The Woman Who Invented Love | Smack! | Night and Day, June 1952 | Full page of kissing techniques, utilizing stills from this movie. |
| 0300.44 | Il figlio di Lagardere | Il figlio di Lagardere | Biennale di Venezia Banca Dati | Production credits, 1 page |
| Il figlio di Lagardere | Source unknown, Internet | Production Credit, 1 page: | ||
| 0300.45 | Il boia di Lilla/La vita avventuriousa di Milady”, “Lilla”,”Milady and the Musketeers”,”The Adventurous Life of Milady” Literal: “The Executioner of Lilla”)(1952) | Milady et les mousequetaires | Amor film, October – December 1953. | Storyline and photos, in French, no translation. See also 1400.52. |
| 0300.46 | Eran trecento/We Were 300 | Eran trecento | Biennale di Venezia Banca Dati | Production credits, 1 page |
| 0300.47 | Flesh and Desire/Il fuoco nelle vene/La chair et le diable | Flesh and Desire | All Movie Guide | Production credits, 1 page |
| Il fuoco nelle vene | Biennale di Venezia Banca Dati | Production credits, 1 page | ||
| 0300.48 | La barriera delle legge/Barrier of the Law (1953) | Barrier of the Law | All-Movie Guide | Production credits, 1 page |
| 0300.50 | La Contessa di Castiglione/La Castiglione(1954) | Yvonne, by Yvonne de Carlo, ppgs 181-183 | “Yvonne” | Rossano on the set of La Contessa di Castiglione |
| 0300.50 | Hollywood’s Glamour Girls | Rossano on the set of La Contessa di Castiglione … “he hated the make-up and maybe the role, too …” | ||
| La Contessa di Castiglione | Biennale di Venezia Banca Dati | Production credits, 1 page | ||
| 0300.51 | Angela (1954) | Angela | Biennale di Venezia Banca Dati | Production credits, 1 page |
| 0300.53 | Il terrore dell’Andalusia | Il terrore dell’Andalusia | Biennale di Venezia Banca Dati | Production credits, 1 page |
| 0300.54 | Three Coins In The Fountain | “Love Transforms a Plain Jane” | LIFE Magazine, 7/25/55 | Photos from “Three Coins” and other films. Cross-ref: 0300.40,0300.335 and 0300.56. |
| “Postcards from Rome” | LIFE Magazine, 6/7/54 | Four pages, black and white, using stills from the film and telling the plot from Maggie McNamara’s point of view. | ||
| 0300.55 | The Barefoot Contessa (1954) | “European Dateline” | Unknown, estimated 1954 | Small photo of Rossano and Ava Gardner in The Barefoot Contessa. |
| “Odd Spots” | Ken Mogg, the Internet | Comment on the Italian origins of “Che Sara, Sara”, the motto of Rossano’s character’s family. | ||
| Ava: A Biography | by Roland Flamini, Coward, McCann & Geoghegan, New York, © 1983. | The story behind Ava getting the starring role in the film, and the other actresses who wanted the role. One paragraph regarding Rossano’s attitude on the set. (He complained a lot and hardly noticed she was there at all). 10 pages |
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