Rossano Brazzi Article Library: Films: 1950-1954

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Rossano Brazzi Article Library: Films: 1950-1954


Catalog Number Subject Title of Article Source, Author and Date Description
0300.34 Romanzo d’amore Romanzo d’amore Biennale di Venezia Banca Dati Production credits, 1 page
0300.35 Bullet for Stefano (1950) Bullet for Stefano All-Movie Guide Production credits, 1 page
0300.36 Gli inesorabili (1950) Gli inesorabili Biennale di Venezia Banca Dati Production credits, 1 page
Plus fort que la haine (Gli inesorabili) Film complet Storyline and photos, 5 pages, French. See also 1400.50.
0300.37 La corona nera La corona negra Marzo 1997 (March 1997) Programming information: Spanish, no translation, 2 pages.
0300.38 La leggenda di Genoveffa (1952) La leggenda di Genoveffa Biennale di Venezia Banca Dati Production credits, 1 page
0300.39 La vendetta di aquila nera/The Return of the Black Eagle (1951) La vendetta di aquila nera All-Movie Guide Production credits, 1 page
La vendetta di aquila nera Biennale di Venezia Banca Dati Production credits, 1 page
0300.40 “Incantesimo tragico”/Tragic Spell “Love Transforms a Plain Jane” LIFE Magazine, 7/25/55 Photos from “Tragic Spell” and other films. Cross-ref: 0300.56,0300.335 and 0300.54.
Incantesimo tragico Biennale di Venezia Banca Dati Production credits, 1 page
0300.41 L’ingiusta condanna/Quelli che non muoiono/Guilt is Not Mine (1952) L’ingiusta condanna Biennale di Venezia Banca Dati Production credits, 1 page
Guilt is Not Mine Internet Movie Database Two pages, cast & production credits, brief synopsis.
0300.43 La donna che invento l’amore/The Woman Who Invented Love Smack! Night and Day, June 1952 Full page of kissing techniques, utilizing stills from this movie.
0300.44 Il figlio di Lagardere Il figlio di Lagardere Biennale di Venezia Banca Dati Production credits, 1 page
Il figlio di Lagardere Source unknown, Internet Production Credit, 1 page:
0300.45 Il boia di Lilla/La vita avventuriousa di Milady”, “Lilla”,”Milady and the Musketeers”,”The Adventurous Life of Milady” Literal: “The Executioner of Lilla”)(1952) Milady et les mousequetaires Amor film, October – December 1953. Storyline and photos, in French, no translation. See also 1400.52.
0300.46 Eran trecento/We Were 300 Eran trecento Biennale di Venezia Banca Dati Production credits, 1 page
0300.47 Flesh and Desire/Il fuoco nelle vene/La chair et le diable Flesh and Desire All Movie Guide Production credits, 1 page
Il fuoco nelle vene Biennale di Venezia Banca Dati Production credits, 1 page
0300.48 La barriera delle legge/Barrier of the Law (1953) Barrier of the Law All-Movie Guide Production credits, 1 page
0300.50 La Contessa di Castiglione/La Castiglione(1954) Yvonne, by Yvonne de Carlo, ppgs 181-183 “Yvonne” Rossano on the set of La Contessa di Castiglione
0300.50 Hollywood’s Glamour Girls Rossano on the set of La Contessa di Castiglione … “he hated the make-up and maybe the role, too …”
La Contessa di Castiglione Biennale di Venezia Banca Dati Production credits, 1 page
0300.51 Angela (1954) Angela Biennale di Venezia Banca Dati Production credits, 1 page
0300.53 Il terrore dell’Andalusia Il terrore dell’Andalusia Biennale di Venezia Banca Dati Production credits, 1 page
0300.54 Three Coins In The Fountain “Love Transforms a Plain Jane” LIFE Magazine, 7/25/55 Photos from “Three Coins” and other films. Cross-ref: 0300.40,0300.335 and 0300.56.
“Postcards from Rome” LIFE Magazine, 6/7/54 Four pages, black and white, using stills from the film and telling the plot from Maggie McNamara’s point of view.
0300.55 The Barefoot Contessa (1954) “European Dateline” Unknown, estimated 1954 Small photo of Rossano and Ava Gardner in The Barefoot Contessa.
“Odd Spots” Ken Mogg, the Internet Comment on the Italian origins of “Che Sara, Sara”, the motto of Rossano’s character’s family.
Ava: A Biography by Roland Flamini, Coward, McCann & Geoghegan, New York, © 1983. The story behind Ava getting the starring role in the film, and the other actresses who wanted the role. One paragraph regarding Rossano’s attitude on the set. (He complained a lot and hardly noticed she was there at all). 10 pages

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